![]() ![]() I can't say their chemistry was anything special, but both are great in their roles. What ultimately made me enjoy Bad Boys was that it felt like a throwback to the kind of cheaper, sleazier flicks the less respected or past their prime action stars would take on while waiting/hoping for their next shot at a blockbuster. Much like me when I was 13, there are the occasional clever lines, but too often the verbal exchanges mistake gratuitous profanity for wit and miss the mark of hilarity by some margin. Which isn't as amusing as Bay thinks it is. Bad Boys is much more concerned with being a comedy so the majority of the running time consists of watching the two leads cuss each other out. A few shootouts are scattered throughout, but only two sequences really show off the bombastic explosions and extreme mayhem one would expect from Hollywood's king of making things go boom. The action is surprisingly sparse for a Michael Bay movie. ![]() The reason for this is cockamamie at best, but a few good laughs are mined from the concept. Pretty much your standard vulgar buddy cop movie, but with the twist that they have to pretend to be each other. The action is surprisingly Came out in the '90s, but feels like it's from the '80s. … ExpandĬame out in the '90s, but feels like it's from the '80s. Rest assured, we've seen it all a million times before, but there are abundant (foul-mouthed) funnies, and debut director Michael Bay shows his commercials expertise propelling the noisy nonsense into a frantically slick and thoroughly enjoyable extravaganza. Marcus and the kiddies as a surrogate man of the house. But he's unconscious somewhere at the time, so Marcus takes over Mike's persona and bachelor pad to babesit Julie, leaving Mike to move in with Mrs. ![]() ![]() Frightened eyewitness Julie (Leoni) will only spill her guts to the partner with the ladies' man rep - Smith's Mike. Comic complications come courtesy of a Comedy Of Errors-style swapped-identity charade. Setting about it with appropriate dispatch, they tear through various glossy, violently efficient set pieces (shoot 'em ups, chases, explosions, the familiar drill), pick through grossly dead people and engagingly uphold the time-honoured bickering buddy tradition - they even have a shrieking boss (Joe Pantoliano) to chivvy them along. Following the elaborately exciting heist of $100 million worth of heroin by arch European villain Tchéky Karyo, the motor-mouthed twosome have 72 hours to recover it before Internal Affairs shuts down their very own, disgraced drugs squad. Lawrence, a hyper hoot and the movie's principle charm, is family man Marcus Smith, a studly dish, is Mike, a glamour boy with rich folks and a Porsche. A sizeable spring hit in the States, it's already made cinestars of two American TV favourites, comic Martin Lawrence and Fresh Prince Of Bel-Air Will Smith, whose teaming as wisecracking Miami Vice detectives makes a hot partnership. A sizeable spring hit in the States, Fans of the slam-bang cop action comedy will have their entertainment glands solidly squeezed by this racy party popper of a movie in the line of 48 Hrs, Lethal Weapon and Beverly Hills Cop, produced by the Cop megabuck duo of Simpson and Bruckheimer. Fans of the slam-bang cop action comedy will have their entertainment glands solidly squeezed by this racy party popper of a movie in the line of 48 Hrs, Lethal Weapon and Beverly Hills Cop, produced by the Cop megabuck duo of Simpson and Bruckheimer. ![]()
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